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Inside I' Hurting provides educational professionals with a much-needed classroom handbook of new strategies, practical tools and the confidence for supporting these children from an attachment perspective, thus promoting inclusion in the school system. Contents include: how attachment difficulties can affect a child's ability to learn; providing an 'additional attachment figure' in schools; the benefits and challenges of getting alongside children who have experienced trauma and loss; transitions during the school day; permanency and constancy; being explicit; regulating arousal levels; handling conflict; wondering aloud; lowering the effects of shame; working with transition from primary to secondary phase; developing effective home/school partnership (includes a photocopiable initial meeting prompt card); providing staff support; recommendations for future action.

• Sales Rank: #476072 in Books
• Published on: 2007-03-10
• Original language: English
• Number of items: 1
• Dimensions: 9.65" h x .35" w x 6.73" l, 1.41 pounds
• Binding: Paperback
• 320 pages

About the Author
Louise Bomber practices as a Teacher Therapist for the Alternative Centre for Education - a special school which houses a pupil referral unit (PRU), provides integrated behaviour support for children with emotional behavioural and social difficulties (EBSD), and full-time provision for pupils aged 5-16. She is also an Adoption Support Teacher within social services. In addition, Louise works for Cornerways Children's Services as a therapist to adolescent girls who are looked after. She has been a teacher in both primary and secondary education. Under a multi-agency team led by Dr Paul Holmes in Brighton, she was involved in pioneering work on Attachment amongst children who were fostered or adopted. She believes passionately in finding ways to integrate the worlds of education and therapy from an attachment perspective to provide educational support for teachers, pioneering innovative work built on this premise.

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The Makura no Sôshi, or The Pillow Book as it is generally known in English, is a collection of personal reflections and anecdotes about life in the Japanese royal court composed around the turn of the eleventh century by a woman known as Sei Shônagon. Its opening section, which begins haru wa akebono, or “spring, dawn,” is arguably the single most famous passage in Japanese literature.

Throughout its long life, The Pillow Book has been translated countless times. It has captured the European imagination with its lyrical style, compelling images and the striking personal voice of its author. Worlding Sei Shônagon guides the reader through the remarkable translation history of The Pillow Book in the West, gathering almost fifty translations of the “spring, dawn” passage, which span one-hundred-and-thirty-five years and sixteen languages. Many of the translations are made readily available for the first time in this study.

The versions collected in Worlding Sei Shônagon are an enlightening example of the many ways in which translations can differ from their source text, undermining the idea of translation as the straightforward transfer of meaning from one language to another, one culture to another. By tracing the often convoluted trajectory through which a once wholly foreign literary work becomes domesticated—or resists domestication—this compilation also exposes the various historical, ideological or other forces that inevitably shape our experience of literature, for better or for worse.The Makura no Sôshi, or The Pillow Book as it is generally known in English, is a collection of personal reflections and anecdotes about life in the Japanese royal court composed around the turn of the eleventh century by a woman known as Sei Shônagon. Its opening section, which begins haru wa akebono, or “spring, dawn,” is arguably the single most famous passage in Japanese literature.

Throughout its long life, The Pillow Book has been translated countless times. It has captured the European imagination with its lyrical style, compelling images and the striking personal voice of its author. Worlding Sei Shônagon guides the reader through the remarkable translation history of The Pillow Book in the West, gathering almost fifty translations of the “spring, dawn” passage, which span one-hundred-and-thirty-five years and sixteen languages. Many of the translations are made readily available for the first time in this study.

The versions collected in Worlding Sei Shônagon are an enlightening example of the many ways in which translations can differ from their source text, undermining the idea of translation as the straightforward transfer of meaning from one language to another, one culture to another. By tracing the often convoluted trajectory through which a once wholly foreign literary work becomes domesticated—or resists domestication—this compilation also exposes the various historical, ideological or other forces that inevitably shape our experience of literature, for better or for worse.

• Sales Rank: #2918404 in Books
• Published on: 2012-04-14
• Original language: English, Multilingual
• Number of items: 1
• Dimensions: 8.25" h x 1.25" w x 5.75" l, 1.00 pounds
• Binding: Paperback
• 264 pages

Review
Admirably rich in comment yet concise in treatment, this study of more than forty translations of a single passage from the Pillow Book of Sei Shōnagon will engage and delight anyone who has an interest in translation and world literature. Translations of classical Japanese texts have had enormous impact on English and other European literatures, yet, outside of Japan, the classical Japanese language is studied only by a handful of specialists. With precision and clarity, this work unveils the complexities involved in the translation of that rare and beautiful language.
- Sonja Arntzen, University of Toronto

This fascinating collection offers a unique resource for courses in translation, in women's writing, and in East/West studies, and it is also a pleasure to read in itself: a gallery of reflections and refractions of Sei Shonagon's masterpiece through a kaleidoscopic array of translations across time, space, and culture.
- David Damrosch, Harvard University

About the Author
Valerie Henitiuk is senior lecturer at the University of East Anglia and director of the British Centre for Literary Translation. She is the author of Embodied Boundaries (2007, Gateway Press, Madrid) and co-editor of One Step towards the Sun (2010, Rupantar, India).

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1 of 1 people found the following review helpful.
Nice comparative study
By Emma in Quebec
A nice comparative study for one who is interested in translation work. A more elaborate essay would have been nice though.

0 of 0 people found the following review helpful.
Scholarly interest
By Blake
Until I read this, I did not realize that the translation I have is missing some important passages. This is an interesting comparison of translations of the opening pages of The Pillow Book.

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• Sales Rank: #1188965 in Books
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Featuring over twenty new entries, International Relations: The Key Concepts, now in its second edition, is the essential guide for anyone interested in international affairs. Comprehensive and up-to-date, it introduces the most important themes in international relations in the post 9/11 era.

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• Sales Rank: #940077 in Books
• Published on: 2007-10-22
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .88" w x 5.51" l, 1.20 pounds
• Binding: Paperback
• 432 pages

About the Author
Martin Griffiths is Senior Lecturer in the School of Political and International Studies at Flinders, Australia; Terry O'Callaghan is Senior Lecturer in the School of International Studies at the University of South Australia; and Steven C. Roach is Assistant Professor in the Department of Government and International Affairs at the University of South Florida

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6 of 6 people found the following review helpful.
Be Informed about World Events
By Adam
This book provides an excellent introduction to International Relations through an examination of concise essays concerning such areas as Terrorism, the Cold War, Human Rights and Globalisation among others. For a better understanding of the complexities of world events and to be well informed about historical concepts, this book is an excellent read. The subjects are placed in the broad sweep of history, pointing to relationships that will encourage discursive reading. International Relations - The Key Concepts, will remain the pre-eminent reference work, that in my view will be unsurpassed.

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Excellent!
By Lara
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Must have if you are a Professional or Academic in the International Relations Field
By Carlos E. Teisser
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"Foundation Processing" deals with computers/software.

• Published on: 2008
• Binding: Paperback
• 810 pages

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Fresh | Seasonal | Hot | Cold | Raw | Delicious

New In Paperback

Salmagundi is a 17th century English expression denoting a salad dish comprising, well... everything. The nearest modern equivalent is Fiambre, a Guatemalan salad containing in excess of twenty ingredients. This comprehensive new book from acclaimed author, Sally Butcher, looks at salad bowls across the world in 150 recipes. The recipes feature a number of archaic, traditional and staple dishes - and a whole lot of funky new stuff as well.

Divided into fourteen chapters (Herbs and Leaves; Vegetables; Beans; Roots; Grains and Pasta, Rice, Cheese, Fish, Meat, Dips, Fruity Salads, Salads for Pudding, The Dressing Room, The Prop Cupboard), no stone is left unturned in pursuit of the ultimate salad recipe. Recipes are flagged where relevant with tags such as ''super-healthy'' or ''skinny-minny'' or ''main course'' to make it more user-friendly. Heavily punctuated with Sally's trademark mixture of folklore and anecdotes, this is an essential update for the foodie bookshelf.

-- Fourth book from an acclaimed cookbook author
--Over 150 salad recipes from around the world
--An inspirational and uplifting read as well as a gold-mine of unusual salad recipes
--A beautifully photographed culinary and cultural tour

• Sales Rank: #2053065 in Books
• Published on: 2015-09-16
• Original language: English
• Number of items: 1
• Dimensions: 9.60" h x 1.00" w x 7.30" l, .0 pounds
• Binding: Paperback
• 272 pages

Review

Whether you're looking for a quick snack, a winning appetizer, a super healthy meal, or a refreshing fruit dessert, Butcher's latest will have you covered… a great gift for salad lovers…''

--Library Journal, starred review

''Beautiful matte photographs of the dishes demonstrate how elegant salads can be in any incarnation, and Butcher's irreverent tone, full of asides and wry witticisms, makes for a fun and engaging reading experience… cooks hoping to jazz up their salad game will find lots and lots of inspiration.''

--Booklist

About the Author

Sally Butcher is the fiery-haired proprietress of the notable Persian food store Persepolis in London, which she runs with her Persian husband, Jamshid. She is also a prolific author and blogger, who has amassed a devoted online following for her food blog. The foodie delights of the Middle East are her specialty, but she has been known to venture far and wide for inspiration. Her first book, Persia in Peckham, was selected Cookery Book of the Year by the Times of London and was short-listed for the 2008 André Simon Award. Her following tomes, The New Middle Eastern Vegetarian, and New Middle Eastern Street Food, also published by Interlink, have also received critical acclaim.

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1 of 1 people found the following review helpful.
LOVE Sally Butcher's Newest!
By LM
I LOVE Sally Butcher's cookbooks and this one is no exception. Gorgeous photography, interesting, delicious recipes that stretch beyond your imagination of salad, but really easy to do. The come from all over the world and there are dishes suitable for any course or occasion (seriously.. desserts, dinner parties, in-front-of-the-tv weeknight meals, whatever). But she is such an entertaining writer that I'd buy the book even if it didn't contain a single recipe!

1 of 2 people found the following review helpful.
Beautiful and full of tasty recipes.
By Mary A. Turzillo
Wonderful recipes. Some of them (but not all!) require special equipment and considerable prep time, but generally, this is a book for dedicated foodies who like vegetables. I made the zucchini salad and it was well received by my husband. I will do many of the recipes. Also, it's a very beautiful book. It might make a nice gift for someone who enjoys food.

0 of 2 people found the following review helpful.
There is an amazing array of fabulous salads for every season and occasion
By Michel S. Moushabeck
I am a salad lover and I found the cookbook that's just right for me. There is an amazing array of fabulous salads for every season and occasion. I've tried about a dozen recipes so far and I loved them all. There is no doubt that this cookbook will soon become my salad bible.

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A sociological analysis of the theories of assimilation in American society, noting the cultural and behavioral characteristics of religions, racial and ethnic groups.

• Sales Rank: #1080967 in eBooks
• Published on: 1964-12-31
• Released on: 1963-11-30
• Format: Kindle eBook

Review

"Important and entirely admirable....[Gordon's] review of theories of Anglo-conformity, the melting pot, and cultural pluralism is the best I have ever seen. Specialists in intergroup relations will find Gordon's book a most useful addition to their personal bookshelves and an indispensable newcomer to their pedagogical repertoire."--American Sociological Review

"Most informative text on the subject of socialization process."--Carl E. Jackson, California State University, Fullerton

"Excellent."--M. Mc Cauley, Dyersbury State, Indiana

About the Author
Milton M. Gordon is at University of Massachusetts, Amherst (Emeritus).

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1 of 1 people found the following review helpful.
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By Taylor Silar
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A tense truce holds between the Capulets and the Montagues after the deaths of Romeo and Juliet. Benvolio, Romeo's best friend, is in love with Rosaline, Juliet's cousin, but Rosaline is bent on revenge. This play is written for a cast of 12, plus musicians and extras.

• Sales Rank: #9895537 in Books
• Published on: 2000-10
• Original language: English
• Number of items: 1
• Dimensions: 7.75" h x 5.00" w x .25" l,
• Binding: Paperback

About the Author
Born in Glasgow, Sharman Macdonald became an actress on graduation from Edinburgh University but gave it up to write. Her plays include When I Was a Girl, I Used to Scream and Shout... (Bush) which won her the Evening Standard Award for Most Promising Playwright of 1984, The Brave (Bush), When We Were Women (National), All Things Nice (Royal Court), Shades (Albery), The Winter Guest (West Yorkshire Playhouse/Almeida), which was adapted into a film with Alan Rickman, Sea Urchins (Dundee Rep), Borders of Paradise (Watford Place), After Juliet (National) and The Girl with Red Hair (Bush/Royal Lyceum). She is the author of two novels, The Beast and Night, Night.

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Will be shipped from US. Brand new copy.

• Published on: 1609
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• Sales Rank: #5217848 in Books
• Published on: 1992
• Binding: Comic

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• Published on: 1600
• Binding: Hardcover

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Testimonials
"The ultimate typographic tool: a concise, beautiful book that pulls together everything you need to produce great typography."
--Frank Romano, RIT School of Print Media

"Clear and elegant...There's no better or more useful introduction to the whole craft of typography."
--Roger Black, Danilo Black, Inc.

"All you've always wanted to know about type and typography but never dared to ask. Jim Felici brings together a vast amount of knowledge in this book. Must-have!"
--Erik Spiekermann, author, Stop Stealing Sheep (and Find Out How Type Works)

This book is about how type should look and how to make it look that way; in other words, how to set type like a professional. It releases the craft knowledge that used to reside almost exclusively in the heads of people working in type shops. The shops are gone, the technologies have changed, but the goal remains the same. This book explains in very practical terms how to use today's computerized tools to achieve that secret of good design: well-set type.

Beautifully designed and richly illustrated, The Complete Manual of Typography is an essential reference for anyone who works with type. Designers, print production professionals, and corporate communications managers can go straight to the index to find focused answers to specific questions, while educators and students can read it as a textbook from cover to cover. You'll find:

• History, basic concepts, and anatomy of good typography, concisely presented and indexed for quick reference by busy professionals.
• Straight-ahead instructions for how to manage fonts, handle corrupted or missing fonts, and find the characters you need.
• Clear, useful explanations of what makes good type good (and bad type bad) .
• Detailed guidance on controlling the fundamentals of type, including measure, point size, leading, kerning, and hyphenation and justification.
• Practical advice on how to fix and avoid composition problems such as loose lines, bad rags, widows and orphans.
• Hard-to-find rules for managing indents and alignments, skews, wraps, expert-set characters, and tables.
• Scores of workarounds that show how to wring good type out of uncooperative word-processing and layout programs.

• Sales Rank: #974542 in Books
• Published on: 2002-10-06
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x .62" w x 8.00" l, 1.65 pounds
• Binding: Paperback
• 384 pages

Review
"Clear and elegant...There's no better or more useful introduction to the whole craft of typography." -- Roger Black, Danilo Black, Inc.

"The ultimate typographic tool: a concise, beautiful book that pulls together everything you need to produce great typography." -- Frank Romano, RIT School of Print Media

From the Back Cover

[Testimonials]
"The ultimate typographic tool: a concise, beautiful book that pulls together everything you need to produce great typography."
--Frank Romano, RIT School of Print Media

"Clear and elegant...There's no better or more useful introduction to the whole craft of typography."
--Roger Black, Danilo Black, Inc.

"All you've always wanted to know about type and typography but never dared to ask. Jim Felici brings together a vast amount of knowledge in this book. Must-have!"
--Erik Spiekermann, author, Stop Stealing Sheep (and Find Out How Type Works)

This book is about how type should look and how to make it look that way; in other words, how to set type like a professional. It releases the craft knowledge that used to reside almost exclusively in the heads of people working in type shops. The shops are gone, the technologies have changed, but the goal remains the same. This book explains in very practical terms how to use today's computerized tools to achieve that secret of good design: well-set type.

Beautifully designed and richly illustrated, The Complete Manual of Typography is an essential reference for anyone who works with type. Designers, print production professionals, and corporate communications managers can go straight to the index to find focused answers to specific questions, while educators and students can read it as a textbook from cover to cover. You'll find:

* History, basic concepts, and anatomy of good typography, concisely presented and indexed for quick reference by busy professionals.
* Straight-ahead instructions for how to manage fonts, handle corrupted or missing fonts, and find the characters you need.
* Clear, useful explanations of what makes good type good (and bad type bad) .
* Detailed guidance on controlling the fundamentals of type, including measure, point size, leading, kerning, and hyphenation and justification.
* Practical advice on how to fix and avoid composition problems such as loose lines, bad rags, widows and orphans.
* Hard-to-find rules for managing indents and alignments, skews, wraps, expert-set characters, and tables.
* Scores of workarounds that show how to wring good type out of uncooperative word-processing and layout programs.

About the Author

James Felici has worked in the publishing industry-in both editorial and production-for over 30 years. A veteran journalist and former managing editor of Publish magazine, he has set type by hand as well as on systems from IBM, Linotype, Compugraphic, CCI, and Magna. His other books include The Desktop Style Guide (Bantam/ITC), How to Get Great Type Out of Your Computer (North Light), and contributions to The Macintosh Bible (Peachpit Press). He writes for numerous publications including PC World,Macworld, and The Seybold Report, and is a featured speaker at Seybold Seminars, Macworld Expo, and other events worldwide.

Most helpful customer reviews

29 of 29 people found the following review helpful.
As good as it gets!
By Cadmium Red
This book belongs in the pantheon of well written, well presented expertise. If you liked Bringhurst's gem of a book, add this one to your library. The organization, writing and examples are exemplary. Felici's sense of humor is a treat. His sense of fit a balm to the weary.

If you are type & text junkie this will soothe your jones. If you care about type this will make it clearer. Even if you are an oldster with plenty of practice this book will add something to your arsenal. At the very least you will find how to explain all that H&J arcania more clearly to others.

And, as a last thought, I appreciate the restraint in the design of the book. It serves the subject well.

54 of 60 people found the following review helpful.
Disappointing.
By Ana
I bought the first edition of this book when it was first published in 2002. I have been reading Felici's articles on typesetting online and always appreciated their clarity and practicality. In the 10 years since the first publication, many technological changes have taken place, and I hoped that these would be taken into account in the 2011 edition. However, I was greatly disappointed. Still a lot of space is given to the discussion of typewriters vs. word processing vs. professional page layout software, or bitmap vs. antialias appearance of fonts on screen. The screen shots in the book date back to Mac OS 9, to a time before InDesign was even on the horizon. The section on print and web resolution issues doesn't take more recent developments into account at all--simply inexcusable for a book on type published in 2011. The glossary and index sections are far too generously spaced and unreasonably take up 80 pages, making them very impractical to use. Unfortunately the design and layout of this book is as stale as it was in 2002, and the poor paper quality is a big turnoff for a book that sells at nearly $35.
Half the content is as helpful and relevant as it was in the first edition, but the other half is dated and has become irrelevant. I don't see any need to buy the new edition.

32 of 34 people found the following review helpful.
Covers past history, letter architecture and future computer typesetting
By blair
I am only half way through this book (so much in it I have to take it a few pages at a time). The history of type is covered (and should be read to learn vocabulary...but has a great glossary if you just want to learn terms in other sections as you go along...21 pages of glossary.)

Seems like 1/4 of the book is history and the architecture of font AND typeface (yes...the book is so in depth it tells the difference between the two). The final 3/4 is on typesetting good and bad, how to do it with various computer programs (though no program is emphasized as each program will be good at one thing and bad at another and he wants to keep it as generic as possible so you can apply equally). It is written in a fairly straightforward language and you only have to scratch your head a couple of times (Plenty of Visual Examples are included). In fact, seeing how they do typesetting of this review is already causing some agrivation now that I know just a few things to look for. .

As I read in a magazine I use for graphic design...the best advice a graphical designer for what to have a great knowledge of is Typography. Even if your desing work is middle of the road your typography will give it a more cohessive look and feel and is probably the top number one thing to master...and I am beginning to agree. The book is set up to be used as either a reference guide or a textbook...your choice. I recomend this book as your first choice. Another book is "Logo, Font and Lettering Bible" by Cabaraga...if you are into designing, letters, logos and symbols.

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