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Using a practical, step-by-step approach and language that is easy for beginners to understand, this book gradually develops the most fundamental concepts in CNC (Computer Numerical Control) technology--with a focus on word address (G and M code) programming for the industry standard Fanuc controllers. Features over 85 completely solved, thoroughly tested programming examples--each program conveniently listed with all explanations appearing on the same page. Contains an abundance of flowcharts, Illustrations, and photographs, and a full chapter on right-triangle trigonometry. Modern Machine Tool Controls. Tooling for Hole and Milling Operations. Exploring Features of CNC Machining Centers. Basics of Blueprint Reading for CNC Programmers. Mathematics for CNC Programming. An Overview of CNC Shop Activities. Word Address Programming. Programming Hole Operations. Programming Linear Profiles. Programming Circular Profiles. Programming with Cutter Diameter Compensation. Programming with Subprograms. Introduction to the CNC Lathe. Fundamental Concepts of CNC Lathe Programming. Techniques and Fixed Cycles for CNC Lathe Programming. Modern Computer-Aided Part Programming. Elements of the Computer-Controlled Factory. Appendices cover safety shop rules; G and M codes for Fanuc controllers; recommended speeds and feeds for drilling, milling, and turning; important, easy-to-use machining formulas; glossary of CNC terms. For anyone wanting to learn the basics of Computer Numerical Control, particularly word address programming for Fanuc controllers.

• Sales Rank: #2854275 in Books
• Published on: 1999-08-12
• Original language: English
• Number of items: 1
• Dimensions: 11.25" h x 1.25" w x 8.63" l,
• Binding: Hardcover
• 458 pages

From the Back Cover
Using a practical, step-by-step approach and language that is easy for beginners to understand, this book gradually develops the most fundamental concepts in CNC (Computer Numerical Control) technology--with a focus on word address (G and M code) programming for the industry standard Fanuc controllers. Features over 85 completely solved, thoroughly tested programming examples--each program conveniently listed with all explanations appearing on the same page. Contains an abundance of flowcharts, Illustrations, and photographs, and a full chapter on right-triangle trigonometry. Modern Machine Tool Controls. Tooling for Hole and Milling Operations. Exploring Features of CNC Machining Centers. Basics of Blueprint Reading for CNC Programmers. Mathematics for CNC Programming. An Overview of CNC Shop Activities. Word Address Programming. Programming Hole Operations. Programming Linear Profiles. Programming Circular Profiles. Programming with Cutter Diameter Compensation. Programming with Subprograms. Introduction to the CNC Lathe. Fundamental Concepts of CNC Lathe Programming. Techniques and Fixed Cycles for CNC Lathe Programming. Modern Computer-Aided Part Programming. Elements of the Computer-Controlled Factory. Appendices cover safety shop rules; G and M codes for Fanuc controllers; recommended speeds and feeds for drilling, milling, and turning; important, easy-to-use machining formulas; glossary of CNC terms. For anyone wanting to learn the basics of Computer Numerical Control, particularly word address programming for Fanuc controllers.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Honest Abe
happy with order

18 of 18 people found the following review helpful.
The best illustrated CNC text on the market
By Peter Eigler
This book is probably one of the best Tech texts that I have yet seen. It covers a wide range of topics and keeps the reader interested with very good photograps and 3D drawings. There are several chapters for beginners to deal with shop trigonometry, metalworking data, blueprint reading, as well as a nice overview of CNC Mill and Lathe programming.
If Peter Smid's book is the best reference on the topic of CNC Programming, this book certainly is a close second for value. This book's contents are not as advanced as Mr. Smid's work, but it is more than adequate for most students in college, university, and apprentices wishing to learn the trade.
Good job!
Peter Eigler

15 of 15 people found the following review helpful.
Great book for getting started
By Phil Orenstein
When I wanted to make a career change, this book was my primer on the basics of CNC programming and machining. It helped me to quickly pick up the essentials of this manufacturing process. I recommend it to anyone who wishes to get a foundation or refresher course in the basics, such as understanding shop math, G code programming, tooling, set-ups, speeds and feeds etc. These are the necessary building blocks for success in this field.

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This useful book covers a wide range of subjects in children's lives as articulated in their drawings. It presents cases of children and adolescents coping with a variety of clinical issues and life challenges using interpretations of their drawings.

Clinicians, educators and parents will find it helpful for understanding children's strengths and weaknesses and the reasons for their behaviors. It will also contribute to their ability to initiate fruitful emotional dialog, based on specific insights from the drawings.

The knowledge in this book is based on extensive psychological studies and innovative independent research and is accompanied by more than 250 colorful, real-life examples of children's drawings.

Based on her clinical experience, Wimmer offers more than 100 effective coping tools and solutions inspired by these drawings, which may be used to enhance children's self-confidence and family relationships.

• Sales Rank: #926037 in eBooks
• Published on: 2014-02-24
• Released on: 2014-02-24
• Format: Kindle eBook

Review
"The Complete Guide to Children's Drawings is an insightful, scholarly, comprehensive and useful text for those working therapeutically with children, especially those interested in an analytic approach. I would recommend it to therapists and trainers alike"
Professor Colleen McLaughlin. University of Sussex, UK

"Michal's book about children's drawings is written well, structured methodically and is clear that she has earned the right to write about this topic."
Michàlle Mor Barak, Ph.D. , School of Social Work, University of Southern California

From the Back Cover
Michal Wimmer, M.A, is an art therapist and an international expert on children's drawing analysis. She has extensive experience in supporting families of children with emotional difficulties using their drawings.
 
"The Complete Guide to Children's Drawings is a must-have book for professionals and parents. Using clear and fascinating descriptions, Michal presents to the reader the complex world of children's drawing analysis, from a dual perspective - both practical and theoretical."
Henrike Hershlikobitz, Ph.D, Clinical Psychologist
 
This book offers the reader a wealth of knowledge on various issues in children's lives - family relationships, ADHD, fears, self-image, etc - and how they are manifested in their drawings. It will enlighten the reader on the immense potential of drawings as a window into children's inner world, character, difficulties and talents.

About the Author
Michal Wimmer, M.A, is an art therapist and a well-known international expert on children's drawings analysis. She has over 15 years of experience supporting families with children (aged 2-18) with emotional and social difficulties using their drawings. Michal is also the founder of an advanced studies program, introducing social workers, psychologists and art therapists, as well as elementary and preschool teachers to the world of children's drawings analysis. The program, which is available on Roshida website, is based on practical exercises, various psychological theories and parental guidance. A popular speaker, Michal has given over 200 workshops and keynotes about children's drawings analysis. She is often interviewed in TV shows, magazines and newspapers for insights about parenting through children's drawings. Michal manages a national forum about children's drawings analysis, providing parental guidance based on drawings. She is part of a "Super Nanny" team of experts, which specializes in supporting families with complex parental issues. Finally, she also provides written expertise to courts of law, based on analysis of children's drawings, mainly in the context of family abuse and children at risk. Michal runs a private clinic for treating children, adolescents and adults. She also works as an art therapist in psychiatric hospitals and mental health clinics. Her therapeutic strategy is deeply influenced by the classic psychoanalytic approaches of Sigmund Freud and Jacques Lacan. Michal is married with three children.

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0 of 0 people found the following review helpful.
This book does justice to its name.
By theresa
A complete guide to analyzing children's drawings. It is a good book to have when a parent or therapist suspects that a child has an emotional problem. Michal Wimmer gives many examples of drawings by children in difficult situations such as jealousy towards a newborn sibling, divorce, abuse, being bullied, learning disabilities or illness. Wimmer also gives numerous examples of how a child expresses emotions. These many examples help the reader to understand the deeper meaning of the drawing and how a child experiences his/her problem or situation. The book gives practical advice on how to respond to a drawing and helps parents bettter cope with or respond to their child's problem. This professional and useful advise comes from vast experience and real love for the well-being of the child. This book is a must-have for art therapists and play therapists all over the world.

0 of 0 people found the following review helpful.
Very helpful in interpreting children's drawings
By jenny
This resource is easy to read and understand, as it gives clear explanations to the illustrations, so even a person without prior knowledge of projective

Theory can implement the knowledge acquired in this book on various real-life drawings. An outstanding piece of work and a must-read for anyone who

Wishes to learn more about children's drawings and resolve parenting issues using this effective tool.

0 of 0 people found the following review helpful.
The best guide on children's drawings
By nomi
Wimmer does a wonderful job by covering so many aspects of parenting issues through interpretation of children's drawings.
The book is packed with interesting examples of drawings, clear explanations and updated theoretical knowledge.
I highly recommend it as a valuable resource for learning about children's drawings.

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This is a reproduction of a book published before 1923. This book may have occasional imperfections
such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact,
or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections,
have elected to bring it back into print as part of our continuing commitment to the preservation of printed works
worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.



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The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification:

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Paradise Lost; Photogravure Series; Paradise Lost; John Milton

John Milton

G. Routledge, 1905

Literary Criticism; Poetry; Literary Criticism / Poetry; Poetry / English, Irish, Scottish, Welsh

• Published on: 2012-01-20
• Original language: English
• Number of items: 1
• Dimensions: 9.69" h x .60" w x 7.44" l, 1.13 pounds
• Binding: Paperback
• 284 pages

About the Author
John Milton was a seventeenth-century English poet, polemicist, and civil servant in the government of Oliver Cromwell. Among Milton s best-known works are the classic epic Paradise Lost, Paradise Regained, considered one of the greatest accomplishments in English blank verse, and Samson Agonistes.

Writing during a period of tremendous religious and political change, Milton s theology and politics were considered radical under King Charles I, found acceptance during the Commonwealth period, and were again out of fashion after the Restoration, when his literary reputation became a subject for debate due to his unrepentant republicanism. T.S. Eliot remarked that Milton s poetry was the hardest to reflect upon without one s own political and theological beliefs intruding.

Excerpt. © Reprinted by permission. All rights reserved.
From David Hawkes’s Introduction to Paradise Lost



Milton believed that the kind of knowledge that can be attained by the human mind was necessarily contingent, or limited. It was limited by cultural and historical context: The ancient Greeks, for example, had been culturally unable to arrive at monotheism. But it was also inherently limited by its internal properties. The human mind is designed, or has developed, in such a way as to live in time and space. To exist outside time and space, the human mind would have to become something different than what it currently is. The same goes for such ideas as causality or extension; without the capacity to think according to these categories it would be simply impossible to have any kind of recognizably human experience. We do not, therefore, experience the world as it really is, we experience the world as it appears to human beings. And we know that this experience is contingent upon—limited by—the inherent nature of the human mind.



It follows that the concepts we form of things, the way they appear to us, do not correspond to the things in themselves. There are thus two kinds of truth: the truth “for us,” in what modern philosophers call the world of “phenomena,” and the truth “in itself,” in what is known as the world of “noumena.” In John Keats’s “Ode on a Grecian Urn,” for example, the poet laments that he can never experience the urn in its noumenal state, as it is in itself. Keats comes to this realization by considering the difference between the significance it possesses for him, as a modern Englishman, and the meanings it conveyed to its creator, an ancient Greek. The “phenomenal” appearance of the urn has changed, although the urn “in itself” has not. In a sense the noumenal is more true, because it is more absolute, than the phenomenal, but the truth “in itself” is by definition beyond the grasp of human thought. We are stuck with a consciousness that we know to be incomplete. This is philosophical terminology, but Milton expresses the same ideas in quasi-mythological, religious terms. Paradise Lost hinges upon the fundamental, unbridgeable, qualitative distinction between the world of earthly phenomena as experienced by Adam and Eve (and also by the poem’s all-too-human narrator), and the world of spiritual noumena as it is represented to them (and us) through the intricate system of characters, figures, and images that make up the Western mythological and religious traditions.



Above all, Milton insists on the disparity in nature between the Creator and His creation. Paradise Lost describes the alienation of labor in a cosmic context; it tells of how the universe that God made came to be alien to Him, and how it came to seem autonomous and self-generating to its inhabitants. The disjunction between the Maker and the made involves a contradiction between two different kinds of value, of significance. It follows that any knowledge we can have of God or His Providential designs must always be “mediated,” translated into the contingent terms and concepts to which the human mind has access.



Almost half of Paradise Lost consists of stories told to Adam and/or Eve through the voices of the archangels Raphael and Michael. These characters incessantly remind their auditors that they are attempting the impossible task of representing noumena in terms of phenomena. Asked to describe the fall of Satan to the human couple, Raphael falls into a quandry: “how shall I relate / To human sense th’invisible exploits / Of warring spirits” (5.564–566). He decides that he must tell his story in the form of an extended metaphor, using images that Adam and Eve are equipped to understand: “what surmounts the reach / Of human sense, I shall delineate so, / By likening spiritual to corporal forms, / As may express then best” (5.571–574). We are thus warned not to take the action of the “war in Heaven” that the angel describes literally, but to remain conscious that we are receiving figural representations of spiritual (we might call them psychological or philosophical) events. We can only understand those events if we take account of the fact that they are mediated for us through contingent human discourse:

Immediate are the acts of God, more swift

Than time or motion; but to human ears

Cannot without process of speech be told,

So told as earthly notion can receive (7.176–179).

 

The action of Paradise Lost takes place, then, in many different registers simultaneously. The ability to read a text as both literal and symbolic, and also at infinite gradations between these poles, came more naturally to educated people in Milton’s time than it does to us, trained as they were in the intricate hermeneutics of biblical exegesis. Furthermore, their facility with textual interpretation was matched by a happy disregard for the boundaries between what we regard as mutually exclusive intellectual fields. Paradise Lost is certainly a work of theology, representing the spiritual conflict between metaphysical beings, but this conflict is also the determining factor in world history, as well as within the human psyche. Although more than twenty characters address us in the course of the poem, such figures also represent disputing forces within Milton’s mind and, by implication, within the mind of the reader.

Most helpful customer reviews

263 of 271 people found the following review helpful.
Greatest Epic Poem in English, Norton Edition is Outstanding
By Michael Wischmeyer
Paradise Lost was not part of my core curriculum in science and mathematics. I was of course aware that scholars considered it a great work, a classic. But it seemed a bit daunting - long, difficult, dated, and possibly no longer relevant.
A few years ago I made two fortunate decisions. I elected to read Milton's Paradise Lost and I bought the Norton Critical Edition (edited by Scott Elledge). I read and reread Paradise Lost over a period of three months as well as the 300 pages of the Norton critical commentary. I was stunned by the beauty and power of Milton. Why had I waited so long to even approach such a literary masterpiece?
Make no mistake. I had been right in several ways. Paradise Lost is difficult, it is long, and full appreciation requires an understanding of the historical and religious context. But Paradise Lost is a remarkable achievement. It explores questions regarding man and God that are as relevant today as in the 17th century. And the genius of Milton has never been surpassed.
I found the Norton footnotes extremely helpful - definitions for rare or archaic words and expressions, explanations of the historical context, and links to the critical commentary section. The footnotes are at the page bottom, making them readily accessible.
The Norton biographical, historical, and literary commentaries were fascinating in their own right. I may well as spent as many hours reading commentary as with Paradise Lost itself.
John Milton led a remarkable life. His enthusiastic euology on Shakespeare was included in the second folio edition of Shakespeare in 1632. This was Milton's first public appearance as an author! While traveling as a young man he "found and visited" the great Galileo, old and blind, a house prisoner of the Inquisition for his astronomical heresy. Years later Milton, a close supporter of Cromwell, barely escaped the scaffold at the Restoration and was at risk for some period afterwards. Many considered Milton no more than an outcast, now old and blind himself, a republican and regicide who had escaped death by too much clemency. Within a few years this aging blind outcast created one of the masterpieces of the English language.
Milton broke all English tradition by writing Paradise Lost in blank verse. Homer in Greek and Vergil in Latin had used blank verse, but English demanded rhyme. Although others failed to imitate Milton's blank verse (I suspect that none wanted to be compared directly with genius), the praise was without exception. Dryden, a master of rhyme, is attributed with saying, "This man cuts us all out, and the ancients too".
Milton's characterization of Satan, Adam, Eve, the archangels Raphael, Michael, and Gabriel, and even God himself are masterful. The debates and arguments that evolve around free will, obedience, forbidden knowledge, love, evil, and guilt are timeless. And fascinating. And thought provoking.
Paradise Lost will require commitment and patience and thought. The commitment in time is substantial. (I enjoy Samuel Johnson's subtle comment: "None ever wished it longer than it is.") But the return is a personal experience with great literature, one of the masterpieces of the English language. I consider myself fortunate to have made such an investment.

177 of 185 people found the following review helpful.
Possibly the Best Edition Out There
By Nick
I have read "Paradise Lost" four times, and took no less than three semesters on it at university. This was the edition we used to work. Modernised spelling, coherent punctuation (plus variations of it in the notes), good introduction, and enormous work in the notes; this edition has all you need for a good reading of the epic poem.

As to the poem itself, some people are hard on it for all the wrong reasons. Remember that it is a 17th century poem, that English was not exactly similar as it is today, and that there are many, many words which were first used in English in "Paradise Lost". Milton was innovative with words, and he gave English new words, and expressions, such as the most famous "all Hell broke loose", which was first uttered in "Paradise Lost".

A poem like this cannot be read without good notes, and this is what this edition has to offer. Notes aren't enough, though, they have to be good, and in this edition, they are. The poem itself is not burdened by the numbers of the notes, because there are so many, the editor decided not to show them in the text per se, but at the end of the book, you will always have the reference, the lines, which the notes are about.

As to the poem itself, if you don't know it, you certainly know of the story of the Fall of Man, Adam and Eve, and the rebellion of Satan in Heaven. I'll only say that Milton's God is one seriously problematic figure in the poem, and that it caused centuries of academic discussion as to whether Milton's God is a good God or a devilish one, whether "Paradise Lost" was truly a "myth", in the old sense of a story which explains why we're here and how it got to be, or whether it was an attack on Christianity. Scholars still discuss this today, so make your own mind if you can!

73 of 75 people found the following review helpful.
An excellently annotated version
By Shane Cappuccio
When John Milton set out to write Paradise Lost, he had every intention of writing a masterpiece of the English language. He felt he was destined for greatness, and his creation does not disappoint. With over 9000 lines of some of the greatest poetry every written, Milton does an incredible job of using classical and biblical allusions within a classical format to create a surprisingly modern and incredibly poignant look at the nature of God and man. Add on to this the fact that he was blind when he composed it, and you cannot call PL anything less than a work of genius.

What separates this version from all the others available? The incredibly detailed work of the editors. The annotations of this edition are absolutely fantastic. They are plentiful (sometimes taking up as much as half a page), extremely informative, and surprisingly fun to read. Most annotated works such as this merely clarify antiquated vocabulary, but in this case the editors point out classical allusions, references to current events, and references to Milton's prose works. In addition to the prose and poetry associated with the text, the editors routinely mention the critical discourse (of which there is an unholy amount) associated with Milton. There are even moments where I laughed out loud at their comments. There is also a subtle touch to the annotations, in that there is no indication of annotations within the line. What I mean by this is that there are no bubbles or footnote marks in the body of the poem. The annotations at the bottom of the page simply point to a line number. This allows the reader to ignore the annotations if they choose to do so.
Another nice characteristic of this edition is the artwork and illustrations included. There's some really fantastic stuff in there.

All in all, this is an excellent edition of an excellent poem.

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This is told from the perspective of a journalist reporting on the live birth of Jesus during Biblical times.

• Sales Rank: #1762783 in Books
• Published on: 2002-06
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: .23" h x 8.47" w x 11.02" l,
• Binding: Paperback
• 48 pages

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0 of 0 people found the following review helpful.
Funny!
By April Alvarez
We did this one just a couple years ago at our church. We ended up with a much smaller group than we initially planned, but by using the cd we were able to combine some of the smaller parts with quick costume changes. Even the very young kids (3-5) were able to play parts, and a couple parents played, and the audience laughed and laughed and laughed. We had such a great time- looking forward to doing this one again!

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• Sales Rank: #11673005 in Books
• Original language: French
• Dimensions: 9.84" h x 7.68" w x .51" l,
• Binding: Paperback

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FBI agent Rachel Walling finally gets the call she's dreaded for years, the one that tells her the Poet has surfaced. She has never forgotten the serial killer who wove lines of poetry in his hideous crimes--and apparently he has not forgotten her.
Former LAPD detective Harry Bosch gets a call, too--from the widow of an old friend. Her husband's death seems natural, but his ties to the hunt for the Poet make Bosch dig deep. Arriving at a derelict spot in the California desert where the feds are unearthing bodies, Bosch joins forces with Rachel. Now the two are at odds with the FBI...and squarely in the path of the Poet, who will lead them on a wicked ride out of the heat, through the narrows of evil, and into a darkness all his own...

• Sales Rank: #39495 in Books
• Brand: Connelly, Michael
• Model: 2379715
• Published on: 2006-10-02
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x 1.13" w x 5.25" l, 1.00 pounds
• Binding: Paperback
• 432 pages

Features

• ISBN13: 9780446699549
• Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

From Publishers Weekly
Those who are familiar with the audio adaptations of Connelly's books will be delighted to see that Cariou lends his talents to Connelly's latest mystery, which is a sequel to The Poet (1996). At the center of this engrossing thriller is world-weary, retired L.A. homicide detective Harry Bosch. While investigating the death of ex-FBI profiler Terry McCalab, Bosch begins to suspect that the notorious serial killer The Poet, presumed dead, may be the culprit. As he digs deeper, Bosch meets and eventually joins forces with FBI agent Rachel Walling, who went up against The Poet the first time around. The novel's point of view cuts from Bosch's first-person commentary to the third-person perspectives of Walling and The Poet. Cariou handles these changes with professional ease. He gives Bosch a rough voice, raspy with experience, and provides Walling with a younger, but no less tough, intonation. Cariou's vocal dexterity becomes truly apparent, however, when he reads Connelly's descriptive passages. Whether he is illuminating a grisly crime scene, a rainstorm pummeling a Los Angeles freeway or a soft moment between Bosch and his young daughter, Cariou perfectly captures the subtleties of Connelly's tightly written prose.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
With a writer of Connelly’s popularity, particularly one that works with a regular cast of characters, mixed reviews are to be expected. Each successive book opens the possibility of a narrative letdown. Part of Connelly’s decision to collate a few of his most enduring characters into The Narrows was to address concerns many fans had with the ending of The Poet. Though it strikes a few critics as a risky move that doesn’t bear repeating, the general consensus is that Connelly pulls the sequel off. Some reviewers disagree about whether the back-story is ample enough for the uninitiated. But whether The Narrows is his best or his worst work, its has elements of both, and plenty of the subtle characterization and gripping storyline that fans have come to expect from Connelly.

Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
*Starred Review* Too often when crime novelists bring together characters from different series or combine plot strands from earlier novels, the results seem awkward (like inviting two separate groups of friends to the same party). Not so with Connelly, whose latest Harry Bosch novel seamlessly intermingles material from the author's previous work. Readers of Connelly's The Poet (1996) have known that Bob Backus, former FBI profiler turned Poe-spouting serial killer, would be back eventually, and here he is, attempting to stage-manage a grand finale. Bosch, now a PI after retiring from the LAPD, becomes involved when the wife of FBI agent Terry McCaleb (Blood Work and A Darkness More Than Night) hires him to determine if her husband's death was suicide or murder. The trail leads quickly to Las Vegas and the resurfaced Backus, who is being tracked by his former FBI colleagues, including his onetime protege Rachel Walling (also from The Poet). Expertly juggling the narrative between Bosch's brooding, hard-boiled voice and a broader third-person perspective that takes in the points of view of Walling and the Poet, Connelly builds tension exponentially through superb use of dramatic irony. A stunning finale in the Narrows--the cement-lined Los Angeles River, which transforms itself during a storm from a harmless puddle into a rampaging death trap--works on multiple levels, satisfying both plot-hungry suspense addicts and character-driven Bosch devotees, who will stick with their hero--he of the "seen-it-all-twice eyes"--on his journey into the metaphorical narrows, where evil "would grab at me like an animal and take me down into the black water." This is Connelly at the top of his game. Bill Ott
Copyright © American Library Association. All rights reserved

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0 of 0 people found the following review helpful.
Harry Bosch character terrific.
By Mary Ann
This is a Harry Bosch story in a series of Connelly's. It is good but not exceptional in the series. I suggest that you read Connelly's books in sequence because Bosch has a daughter whose age differs with each book. When I first read his books, she was a teenager; in this one she was about 3 years old living with her mother. It's gets a little confusing. Also, he is retired, and then goes back to the LAPD and it differs with each book so you are better off reading them in dquence.

I love these books, especially The Lincoln Lawyer series who is somewhat unorthodox but likable. That differs from John Grisham's book Rogue Lawyer who is rather cynical and unlikable.

0 of 0 people found the following review helpful.
Another One Bites The Dust . . .
By Stacey B. Plotts
Book,that is! You didn't think I was going to give anything away,did you? No, that would be too easy - you're going to have to do it the enjoyable way; page by page,chapter by chapter!
What can I say? Michael Connelly has set the hook and Is reeling this fish in! I'm sure his and Amazon's bottom line will be happy. Start with his first Bosch novel - now!
None are disappointing, all are immensely readable, as was true with The Narrows.

0 of 0 people found the following review helpful.
Like visiting with old friends from previous books
By Bitsy
It was enjoyable to read about characters in previous books, and it was especially fun for me to read about the Book Carnival, a book store where I got to meet Michael Connelly and have my books, even the back of my iPad autographed. He is not only a great writer, but a loyal one at that, returning to sign books at one of the places that helped promote his books when he was starting out

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• Sales Rank: #128910 in eBooks
• Published on: 2016-01-12
• Released on: 2016-01-12
• Format: Kindle eBook

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Very helpful insights!
By Geowanda
I’ve been following Nathaniell’s website, http://onemorecupof-coffee.com/ for a few months now and I was happy to see he came out with this ebook. His style of writing makes him come across as very approachable with real-world experience.
Money Blog stepped me through the process from start to finish on what to expect in affiliate marketing. There are many books out there that talk about affiliate marketing but they don’t tell you where we can get tripped up. Can I make $1,000’s of dollars each moth when I first get started? No! And that’s reality. Nathaniell isn’t blowing smoke and promising easy money. He’s giving us real information on what we need to do and know about creating our own monetized websites.
I particularly liked Chapter 6 on what components a basic website should contain and WordPress plugins. Also, how to find the right niche was excellent. Each chapter has a checklist of ‘homework’ so the reader can make progress on their own sites as they work through the ebook.
I highly recommend this ebook for your reference library.

3 of 3 people found the following review helpful.
Nathaniell knows what he's talking about
By Judy Blackburn
I read the intro and the first chapter and I am hooked on this book. Nathaniell knows what he is talking about and to want to share it with others is awesome. He is totally honest in telling it like it is when it comes to a WordPress blog and making money online. It is not a get rich quick idea. It is a real business that has the potential to build a life and dreams on. Everything you need to know to get started is in his book Money Blog. Follow his advice. I highly recommend this book.

5 of 6 people found the following review helpful.
This is probably the best book on its topic
By Chris cloutier
This is probably the best book on its topic. It’s obvious that the author knows his stuff. I have been through tons of books, courses and other training, but “Money Blog” is probably the most complete resource I have ever seen.

Nathaniel does a great job of walking you through everything you need to know from start to finish. And at the end of each chapter there is a short summary that tells you the exact steps you need to take next. I found that to be the most helpful because I forget things easily, especially after reading a dozen pages or so.

There are courses online that don’t cover half as much as this book, yet they sell for hundreds of dollars.

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